Through Concentrated Breath

the making of images from memory

SHINCHON CROSSROADS 1

16 January 2017 by Rey Armenteros

What do you do when you find yourself in a group art show and your colleagues are asking you that for the sake of the show, you need to change your work?

Do you welcome change or do you resist?

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The Situation: For years, my art was nothing more than ink drawings. My fellow exhibitors thought it might have more impact to incorporate color somehow. I resisted it at first, though the idea didn’t really bother me. Eventually, I caved in and went with whatever was coming; I experimented, I tried different things. I had no idea at the time that I was entering a crossroads and choosing a path to different artistic vistas (regardless if it came at a cost or not).

Ultimately, what would have been the better path?

I think no one can say for sure, but I have two answers for this. If there is a show coming up and you are asked to change your work, one solution would be to go with it for the greater good. It could turn out successful for everyone, as was the case in our show, where the group show was perhaps a little better for it – and better for me, where I consequently found a new direction which took me through more changes and has led me to this place of reflection in which I find myself today.

But, on principal, I will never do that again, and that is simply because an artist that allows himself to be swayed by the practical matters of a group is an artist that has no connection to his own work. And that is my second answer, though it should be the first.

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